Friday, March 31, 2017

Where I've Been

Actually, I've been right here all along. But I've been very quiet, thinking of things to say and finding very little.

Perhaps the biggest change since I ladt posted on this blog is that I finished my prescription of Sertraline; I successfully tapered off at the start of January. A couple of weeks later I crashed my car in a ditch, but since I suffered no bodily injuries, quitting an antidepressant feels bigger. Maybe that's a good sign?

What else have I been up to? I bought a new car, a hybrid for all those long commutes. I turned thirty, and enjoyed it properly with the help of my lovely girlfriend, Ariele. I kept my head up and only made a few jokes about becoming hopelessly decrepit. My lovebird Bonnie laid a clutch of eggs, but since her mate Sherbert is also a female there was no chance of them hatching.

I continued my life's work of educating America's youth against their will, one compulsory class period at a time. This is harder than it looks, especially when you're no longer relying on the comfort of generic Zoloft to keep yourself even. To be blunt, I had a few really bad days over the last few months. If my latest absence requires an excuse, then recurring depressive spots seem as good as any.

But that aside, I can honestly say that my extra-curriculars haven't suffered too much. Sure, I'd like to be reading more. But I'm also doing something - successfully - that I haven't really attempted in a long time. I'm writing a book, a small volume of poetry. Thus far it has no name, but I've been refering to ot as The Manuscript.

I know I've made grand declarations of intent before, but despute my absence here the fact remains that the poems are being written. They remain to be edited and properly arranged, and once that is done I'll have to figure out how, exactly, one converts a Word document into a book. But I expect that by mid-summer I'll be ready to do just that.

That's it as far as news. I mainly wrote this to get myself back into gear for using this blog again. Like a comfy old jacket, I may take it off for a few months, but I never really put it away for good.

Tuesday, November 15, 2016

An Open Letter To My Congressional Representatives

I have just submitted the following letter to my Congressional representatives through their webpages. I suggest you contact your own representatives with similar messages.

Dear Senator Wyden/ Senator Merkley/ Congressman Schrader,

Like many Oregonians, I was deeply dismayed upon learning that Donald Trump had won the Presidency last week. This feeling only deepened when I realized that he would win despite having failed to achieve even a plurality of the national popular vote. Because he has won the electoral vote, the fact that Hillary Clinton received more votes than any candidate in history (apart from Barack Obama) is irrelevant.

I am a high school and middle school social studies teacher, and it was my responsibility to explain to my students the following day why Donald Trump would become our next President, despite having received fewer votes than Hillary Clinton. Many of my students come from families with immigrant members, or are members of the LGBT community, and so have good reason to be fearful of the next four years, and frustrated that our democratic institutions had seemingly failed to prevent this outcome.

For their sake, and the sake of every vulnerable and marginalized person in this country, I am counting on you and other Democratic members of Congress to stand up for human rights during Trump's administration. I am hopeful that Republican members of Congress will also step forward on behalf of those who may suffer devastating setbacks in the next four years.

In practical terms, there is not much that anybody can do to prevent Donald Trump from becoming President next year. However, recently Senator Barbara Boxer introduced legislation which would amend the Constitution to abolish the Electoral College and elect the President by popular vote. I ask that you support this bill and, should it fail to pass during this session of Congress, that you support or sponsor similar bills in the future.

The Electoral College is an antiquated system, designed deliberately to provide a counter against the popular will; to put it plainly, it is fundamentally undemocratic. It has outlived its era, largely because it has not usually contradicted the popular vote. However, it has now done so twice in my lifetime. Demographic changes suggest future splits between the popular and electoral votes may become more common, a development which would dishearten voters and undermine our democracy.

There is precedent to a major change in our procedures for electing federal officials. The Twelfth Amendment modified the Electoral College itself, while the Seventeenth Amendment provided for the popular election of Senators. Other countries have used and subsequently abandoned systems similar to our Electoral College. It is time we abandoned a system which can only hurt, and never improve, our electoral process.

Abolishing the Electoral College may not totally prevent a future Donald Trump from eking out a narrow victory. However, it would make it considerably more difficult, and empower voters who will not have to worry that their vote will be discounted by a tragic and embarrassing glitch in the system. I ask that you will make the passage and subsequent ratification of this amendment a priority.

David Miller

Wednesday, November 9, 2016


I always used to pity people who had bumper stickers from losing political campaigns on their cars. I always assumed that if a cause was doomed, I'd be canny enough to avoid plastering my vehicle with a daily reminder of failure. But to be perfectly honest, I was not canny enough at all.

People like me made several errors in judgment throughout the 2016 presidential campaign. Our two biggest faults were as follows: underestimating the appeal of coded white supremacy to disenchanted white folks, and assuming that Trump's endless stream of scandals, gaffes, and ill-considered impulses would matter in the slightest. As to the former, that was unforgivably short-sighted. As to the latter, who could blame us? Usually, when a candidate behaves as barbarously as Donald Trump, they fail. But then again, few in recent memory ever have behaved as barbarously as Donald Trump.

As results were returned on Tuesday night and it became increasingly clear that something was dreadfully wrong, I felt intense waves of anxiety pulsing through my heart. It hit me that with Trump in the White House, a Republican-dominated House and Senate, and the prospect of multiple nominations for the Supreme Court, the nation was soon to find itself walking a tightrope without a net. A lot of people are going to find themselves vulnerable, and suffering, in the coming months. All this from the election of a man who could not even achieve a plurality in the popular vote.

I felt sick to my stomach. And a precious few hours later, I had to wake up, drive to school, and teach a lesson on just what the hell happened to a class of confused and dismayed children. Maybe I'm lucky that my students are, by and large, anti-Trump. It spared me the pain of facing my tormentors directly. But as comfortable as my classroom walls made me feel, I never forgot that a house with Trump/Pence signs and a Confederate flag stood just a short walk up the road.

I've been critical and supportive of both Barack Obama and Hillary Clinton. Right now, I sympathize with them completely, as I can only imagine that this turn of events has left them both feeling lost and humiliated. Obama's legacy is complicated and imperfect, but it was won with the best of intentions; now, all of its most admirable points are in danger of being swept aside. It kills me to think that what good came of his historic presidency could be lost; it pains me to think of how Clinton might have improved it.

This is not to say that all is lost, and that we should lay down and die. The only thing that can save us from being run over by a Republican agenda is concerted citizen action on the issues that matter most. I contributed to the Clinton campaign; from now on, I will be contributing to Planned Parenthood, to protect the health and rights of women from a man who thinks he's entitled to their bodies at his pleasure. I'll teach my heart out on the issues that matter most. And two years from now, I'll vote to support a Democratic effort to retake the U.S. Congress.

Donald Trump and his contempt for the rule of law are a direct threat to our constitution and our country. But as long as we hold dear to what matters, we have a chance to turn things around.

Saturday, October 15, 2016

Poetries #9

I've been sitting on this post a while because, as a busy busy teacher man, I have not had time to write all the commentary you all love so much.

Well, I've had time. But I'm also enthusiastic using my freedom in the pursuit of nothing. So there you go.

But now that I have a lazy Saturday evening, it's time to hit you all with another hot mess of poems, scribbled from the depths of my soul-thing.  They're all from August and September of 2016, a fine pair of months in which good things happened and I was fairly creative.

Content warnings for some light sexual and supernatural happenings.



Lost touch
in a long dream,
continued dreaming
for ages after I woke,
completely out of touch.

Lost fingers
in car doors,
keys in slit
touch in mental illness.

Lost enough
regulation time,
lost the penalty kicks too,
forgot where
I left my left shoe.

On resetting the counter from six hundred and nineteen to zero days.

I will lie
awake for nights
in the deep of thought,
examining and dissecting
that evening
for the slightest sign
that I am guilty of a casual sin.

Over and again,
I will lie
on this bed and rationalize
until I am well convinced
that I didn't use her
without the noblest intentions.

I will lie
on a pillow my head doesn't fit
and recall, with perfect accuracy,
that she called it off
before I did.

With a thick, red grin,
I will lie
on my back
and take comfort in knowing
that I was the model
of a patient man.

Laundry Story 

I found an empty washing machine
with three quarters in the slots,
and without thinking, I attempted
the aggravated mortal sin
of stealing seventy five cents.

Mighty God was clearly watching
when I pushed the sliding lever
and found the coins would not go through:
I gave him such a blasphemy,
for wasting a cup of good detergent.

I loaded up the other machine,
and then I thought, at least I'll have
the last word - so I pulled a key
and pried the stubborn quarters out,
to stuff them in my cotton pocket.

Two of them came loose with ease,
but something struck me wrong about
the third; I took a closer look
and found the reason for the jam -
the face of Queen Elizabeth.

It feels strange, but I have never
even been to Canada; now
I have her royal highness on
a shelf, and fifty good American
cents to put towards a visit.


Pouring salt around our door
and chanting Anglo-Saxon,
you were not surprised
to have eluded their possession,
any more than I was shocked
that you had found religion.

Back when you were casting spells
with kitchen herbs and spices,
carving soapy talismans
and wearing black disguises,
your mother was convinced
that you were just a bit misguided.

Your father wasn't worried,
since you passed in all your classes,
and even when you bought grimoires
from alchemists and witches
he preferred to write your interests off
as adolescent wishes.

As long as no one else could see
the revenants and spirits
menacing around our dorm
with eyelids cold and viscous,
a quaint obsession with enchantment
wouldn't seem suspicious.

But I could not ignore
the spectral hellions' endeavors,
nor the lore you had amassed
in circles carved with scepters,
iron charms and sacred songs,
enchanted wards of heather.

The wonder of it was,
the transformation was successful,
and how your tender form became
a shining, potent vessel -
an aegis from a goddess,
raised to infinite potential.


the lady of the parlor whispered,
join me in the parlor for an
innocent adventure.

the woman in the ballroom whistled,
see the way I balance on my
stylish, modern heels.

the maiden of the kitchen whispered,
find my kitten, I'm afraid the
little dear is missing.

the matron of the garret whistled,
let me out, I guarantee that
you will not regret it.

the disembodied spirit whispered,
the shadows called me by this name,
before they did me in.

On the Leather Seats

A dozen efforts
twenty penetrations
and several muttered curses,
then a loud, remonstrative


and then
a helping hand,
and then a satisfying 

Rock and Roll, and Other Children's Records

Maybe, when you think about it,
but what do I know?  I wouldn't know.

This is all I've got to add:
pop was a mistake, and rock

was always just a misguided attempt
to take it back.  But don't be sorry;

it turns out all we needed
was rhythm and blues all along.

"Caravan", Again

Three successive days,
strange versions of "Caravan"
lift the radio.

After Dark

Tuning out, I take a moment on my phone, I lean against a convenient pillar,
and then I see from out the corner of my eye a friendly, feminine face -
she looks at me with auburn eyes, expectantly, as if she were an old friend of mine.

And I am at a loss for words - I stutter, "hey", and ask if we could have met before -
I was confused, I said, because she looked as though she wanted to talk to me.

"No", she answered, before returning to her sisters, "I was waiting for you to talk to me".

She is gone, and with an instinct I depart across the room, to the open bar,
for now I have become a handsome man without a witness.

Before the Dawn, I Know of Such Release

Before the dawn, I know of such release,
as only joyful tension can provide.

The twists of night are settled down in peace,
and in anticipation, I abide
without the aid of any false alarm.

It is a blessing to awaken now,
because the day is scattering its charm,
and I am overcome with thinking how
I'll soon be gathered up in your embrace.

And like a rapid river I am free,
though miles separate me from your face -
a thousand millions couldn't hinder me.

You only need a little patience more
to find me flowing sweetly by your door.


Eye delighted, ear delights,
and mouth inebriated -
so delightful, says my skin
with liquid, cool detachment -
nose cannot reply, because
the scent has left it speechless.

Stubborn bees

Stubborn bees discover blooms in empty parks and gardens, growing from dead bushes.

On the Passing of a Hateful Poet

The best that could be said on his behalf
was that his politics, philosophy,
and all the record of his acts and deeds
were calculated cruelty - and yet
his book of poems named him "hypocrite".

Crying Out, the Cruelest Plunder

Soldiers, treasure hunters, mighty governments
have gathered at the bottom of a faded quarry,
further wearing out its porous limestone walls
with steam machines and lights like pale, imprisoned stars.
Their shovel-hands have come to excavate my bones,
my skeleton of ashes, middens, ancient graves,
and precious works of art, endemic to my soul.
They work in ceaseless shifts with automatic drills,
to separate the songs and legends, words and faith
(which they confess they never wanted anyway)
from out the rock and soil, bone from bloodied flesh.
They come again, from year to year, in search of plunder,
always something different, always something else
to feed on from the sorrows of my burdened body,
and never once in all the passing centuries
of scavenging from me, has any vagabond
been satisfied to wait until I'd truly died:
they'd gladly tear my ribs to see the living blood.

At Champoeg State Park

Held across the sky, a wind-blown barrier
stills with the lightness of the breeze.
With a step and a high vault,
I could reach across the threshold
and fall into the smooth sea of slim birds.
Cloud fire arcs across the rim,
burns leaves in seven shades of green;
half of them in the dangerous night,
another half aglow,
and I am born aloft on a circus dare
through bold canopies, sail in hand.


Left is a little dance of irregular lines, a short meditation on a typical state of my mind. That makes it sound more interesting than it probably is.

I kind of had to write On resetting the counter, though it may have been a little TMI. It's literally true, I did break my sexual dry spell this summer after six hundred and nineteen days, with the help of a woman who I have not seen since; she sent me a text two days later about just being friends. Having never been in a position quite like that, I tried to express my ambivalence about what we'd been through and how it ended up. My life has changed since then and I'm pretty over it now, but this is a good record for me to have.

Laundry Story is another one of those things that I think is pretty funny, and it's absolutely based on a true story, with only a few fudged details. I tinkered with the meter with all the love due to a really bad joke, and I will always be fond of this one.

Magick didn't turn out with all the majesty I'd hoped for. I had this idea for a rhyming story with rhymes that didn't quite work, and that is exactly what I got. The impact feels a little meh to me, but I tried.

I aimed for creepy with Wiss and I think that one succeeded well. It has a Victorian ghost-story feel to it, and while I'm unsure if "Wiss" is a real (or even plausible) name, the whole thing sprung up from an idle thought that it was a sort of creepy sound. Sometimes that's all it takes.

On the Leather Seats is a sexy little fake-out, the kind of thing that brings a smirk to your face when you've read it. Hopefully. I'm smirking anyway. I'm sure there have been plenty of real sexual adventures that started like this.

Rock and Roll is one of those weird sort-of-free verse poems that I sometimes write with the intention of sounding kind of sleepy and drunk. I swear, it really is on purpose. It's a little sermon on music, and the fake-drunkenness is a small attempt to make that more interesting.

There are two haiku in this collection. One, "Caravan", Again, was based on nothing more than an observation that I'd heard three different versions of that jazz standard in three days. Stubborn bees has a little more to it. It is both a reflection on nature and the seasons, as a true haiku should be, and also arranged as a single line. It is my understanding that this is the way of things in authentic Japanese haiku, and I thought a long line would be more interesting and less "choppy".

After Dark is another true story, pretty much exactly true. It describes an interaction that took place over perhaps twenty seconds, but was sufficiently strange to remember. I was also heavily under the influence of Whitman's Leaves of Grass that night, and tried to imitate the kind of free verse he used so masterfully.

Before the Dawn and Senses are very special poems, both being written for my new girlfriend, Ariele. I met her shortly after my aforementioned "adventure", so scandal-mongers be at ease! I wrote her a sonnet, as that is the most classic form of romantic poetry; though I tried to put a twist on it with a rethinking of the rhythm and  line arrangement. Senses is less labored over, but it's also pretty cute.

On the Passing of a Hateful Poet is a little clumsy in the meter, but it expresses a particular thought I had about people with shitty personalities who nevertheless produce beautiful creative work. I've actually forgotten who I specifically had in mind, and that's not a cop-out. Anyway, it bothers me that a person who thinks beautiful thoughts can fail to live up to them, and I feel it's a kind of hypocrisy if those thoughts come out as art or poetry. But hypocrisy, I fear, is inevitable for all of us.

Crying Out, the Cruelest Plunder is a solidarity poem, for indigenous people who continue to be threatened by colonization. It was written as I learned about the issues surrounding the Dakota Access Pipeline, which threatens the Standing Rock Sioux community. It was originally to have been in free verse, but the first line led me to favor hexameters.

At Champoeg State Park is another nature poem, written on a school field trip to the place of that name. Just a short meditation on the look of trees and clouds, with a wistful imagined flight to provide some action. Bonus information: I learned on this trip that the customary pronunciation of "Champoeg" is /ʃæmˈpui/, which is just silly.

Tuesday, October 11, 2016

Less than a month

And then this will all be over.  Well, it really won't because Trump will contest the election (ineffectually, but noisily) and his legacy of outrageous fascism will live on... but at least I'll be able to call him and everyone who voted for him a loser, and then take a nice, peaceful nap for about a year.

I'm now as certain as I can comfortably be that Hillary Clinton will be the next President of the United States.  That means we'll have to reckon with all of her political baggage, but also that we will have averted a Trumpian apocalypse, and will have opened the door for qualified and inspired women to assume the Presidency in years to come.  So, that's cause to feel good.

I've been putting off writing about the election for a while, because contemplating a future where Donald Trump is the President of anything is viscerally disgusting.  It's only in recent weeks, as the Donald's poll numbers have tanked miserably, that I've actually felt comfortable laughing at his buffoonery again. 

Donald Trump is only funny when his eventual humiliation is assured.  He'd be even more risible if he were marching off to prison for the sexual assaults he's all but admitted to committing, but the prospect of his losing decisively in November is also pretty satisfying.  Laughing in the faces of ignorant white men is also a fond desire.

I know I'm getting ahead of myself, and setting myself up to eat serious crow in the event that Trump does pull off whatever the opposite of a miracle is.  But I need the pick-me-up.

I actually did spend this Monday discussing the election with my students, including the reasons why I could not possibly support Trump.  Most of my students are in agreement that he is, to use a commonly cited phrase, "a racist asshole".  A consensus for supporting Hillary Clinton is less pronounced, but that's their business.  I really don't want to tell my students what to think - but it's imperative to me that they understand what a danger Trump represents to their futures.

How they'll feel after four years of Hillary Clinton, when many of them will at last be of voting age, is any one's guess.  I am content to see how she does, and try to evaluate her term in a fair manner.  I have my expectations, and she will probably fall short of some of them, while exceeding others.  But at least she won't be a tenth as awful as Trump's worst potential.

I'm going to shut up about politics (here at least) until after Election day.  But as busy as I am with work and stuff, I want to post some new poetry soon, and maybe even get back to work on that fiction I kind of abandoned last year.  Maybe when the last of my Trump anxiety has faded.

Sunday, October 9, 2016

What I Would Say To My Students

If the majority of you could vote, and you had the will to do so, I would feel much better about November.

Unfortunately, even the certain knowledge that the "right" candidate would win the Presidency this year, couldn't set me wholly at ease. The good intentions of a voter cannot account for the reality of elected officials, or the reality of the state we all suspect is looking to screw us. 

It's not my job - in fact, it's against the purpose of my job - to tell you what to think, who to follow, and who to vote for. But it would be immoral not to be honest with you about where I see this country is going (to say nothing of the world), and more so to deny where we've already come to.  I'll do my best in the classroom; if any of you should stumble upon this essay, I hope you will find it more useful.

Many of you know, or suspect, that you live in a medium tainted by political propaganda.You may not know it at a conscious level, but you've learned to suspect that official narratives can be manipulative and self-serving, that authorities can be wrong (deliberately or mistakenly),and that issues can be much more complicated than they appear. Much of what is not criticized or questioned is actually an illusion.

Unfortunately, the people who are most willing to "disillusion" you have only their own illusions to offer in their place. At a fundamental level, this is inevitable. If the veil could really come down, we would have torn it off the rings centuries ago. It's not that we prefer the veil of our illusory worldviews, but rather that in a practical sense there is nothing else to see.

At that fundamental level, people have lived in the illusions of their own worldviews for all of human history. Perhaps there have been prophets and seers who truly could perceive the world as it "really" is. In your life, you're more likely to encounter a series of alternative perspectives. Many of these will be illogical, unscrupulous, and sinister. They will also be dangerously appealing.

Let's get specific: I'm talking about the outrageous pet theories of racists, bigots, and misogynists. I'm talking about the people who cast aspersions on the characters of innocent Jews and Muslims; who proudly ignore the slow, tortuous genocide of indigenous people; who regard Africans, Latinos, or Romani people as racially dishonest and criminal; who interpret poverty and opulence as outward manifestations of human worth; who equate desperate need with greed, and aggressive greed with an admirable intelligence; who peddle inane theories about the size of women's brains and their fitness for an undomesticated existence; who obsess over the harmless sexual practices of their neighbors, and insist on policing and demeaning their habits, activities, and genitals; who treat children and women as a kind of property, to be "protected" or "targeted" in a proud struggle between men; who submissively revere power as expressed through arbitrary violence and self-destructive behavior; who muse on the possibility of improving the world by mutilating or murdering people they deem inferior, defective, or unproductive.

I'm talking about ideas which are repeated so easily, by people so parochial they hardly know why parochialism should be a problem, that the average listener may not even perceive their full implications. Lift up your eyes, and you'll find yourself engulfed in a sea of such nonsense. Or maybe you won't - I don't pretend to know how the veil looks from where you're standing.  Whatever your eyes see, I only hope you are listening too.

Now, this is the section where I tell you what to think, who to follow, and who to vote for.

In November of 2016, the voters of the United States will have their choice of being led by a woman with a problematic history of secrecy, obscurity, and inconsistency (the sins of a career politician); and a man who thinks that being rich and famous gives him the right to treat women and girls like toys. More broadly, Donald Trump sees all people as a means to an end, granting them conditional respect as human beings only to the extent that they resemble him, enable him, and embody his prejudices. Hillary Clinton is also ambitious, arrogant, and occasionally dishonest. However, there is nothing - absolutely nothing - in her history to indicate she is prone to the kind of cartoonish corruption which Trump openly aspires to.

There are basically three reasons why Trump has a chance of becoming the next President of the United States. Accounting for these reasons here cannot change the underlying reality. But for your own sake, you should study them, and understand them well.

First, the political system of the U.S. is highly polarized, and strongly favors two dominant political organizations over any upstart rivals. This is not to say that a third party candidate cannot become President, because if that candidate were to win a majority of votes in the electoral college that is exactly what would happen. But constitutional, psychological, and economic factors have conspired to turn Presidential elections into a bipolar tug-of-war, so that a third party candidacy can really only affect the outcome by sapping the strength of one side relative to the other. A vicious cycle maintains the duopoly of Republicans and Democrats on the White House, and Donald Trump is the Republican Party's duly chosen candidate this year.

Second, Americans have increasingly grown frustrated with the state of their country and its role in the world. They come by this frustration in many ways, but they mostly come by it honestly. The truth is, as a global super-power with an imperial (and expensive) military, an economic regime that encourages a huge gulf between the rich and the poor, and a continuing history of brutish racial oppression, there is a lot to be frustrated with. American voters are savvy enough to know that the two-party system and its conventional politicians are in large part responsible for this. Trump is unconventional enough to appear, in some circles, as a viable protest candidate.

Third, Donald Trump has shamelessly rooted his politics in prejudice and reaction. He aspires to lead the United States as a paragon of masculine power, respected for his wealth, physical prowess, sexual boldness, and his brash self-confidence. This is not necessarily a losing strategy in a country inhabited by millions of men who resent the erosion of traditional masculinity. Neither is it necessarily unwise to disparage religious and ethnic minority groups in a land full of paranoid white Christians, accustomed to being treated as "real Americans" and surrounded by those they see as usurpers and impostors. Trump affirms their parochial anxieties, and declares that he has the macho strength of will to put everything back in its "right" place.  Even as he is the candidate of radical change, Trump is also the candidate of traditional hierarchies and vulgar parochialism.

The Democratic Party, meanwhile, has nominated someone who largely stands with the political establishment, even as she upends traditional notions about the suitability of women for leadership. Under the administration of Hillary Clinton, the United States will not become a paradise of economic and social equality; neither will it cease in its role as a global empire, terrorizing foreign people with drones and manipulating the affairs of other nations. There is always hope that it may become marginally better, but a message like that does not inspire in so visceral a way.


I am voting for Hillary Clinton because I believe she is good enough: she is the best candidate the nominating process has produced, third parties included. I believe there is symbolic value in voting for a woman, even if she is not an avatar of feminist ideological purity. I believe that many people in this country could face grave danger if she loses, from Trump himself or from the reactionary politicians who take advantage of his rise. She doesn't represent everything I want in a candidate, but her opponent represents everything I do not want.  I must oppose him, and the best way I can see to do that is to support Clinton.

Most of you cannot vote in this election, but if our Constitution continues to operate for the foreseeable future, you will have the opportunity to vote in others. I can't foresee what those elections may look like, or what the candidates of the future may offer you. But this election may offer important lessons, which you would do well to learn.

Democracy is not just a mechanism for assigning power to individuals. It is also an ideology, a system of values. It is one which the United States, for all its faults and hypocrisies, has professed to support. It is a rebuke to tyranny and a defense of ordinary people, a declaration that they can manage their own interests responsibly. If you believe in these values, do not support a candidate whose only constant political value is "strength".

Democracy is only possible in a system that is ruled by laws. The laws of the United States are often confused and cruel in their execution, but in being ruled by them we at least are not ruled by the whims of a contemptuous dictator. Laws can be changed without bloodshed, but when a leader has no respect for law or custom, there is no guarantee he will not use naked violence to get his way. If you believe in the rule of law, do not support a candidate who sees it as an inconvenience or a joke.

It is possible to change the worst aspects of our political situation; however, it requires hard work and a concerted effort among responsible and motivated people. Resist the urge to treat any candidate, no matter how anti-establishment, as a savior who can fix everything in a few short strokes. Instead, look for candidates for Congress and the Presidency who will take responsibility for improving our infrastructure and our society. Do not support candidates who are wantonly irresponsible in all aspects of their lives.

Lastly, remember that even if politics seems alienating and irrelevant to your life, the outcomes of elections matter dearly to a lot of people. The rights of women, people of color, immigrants, the poor, gender and sexual minorities, and people with disabilities, are considered to be expendable in a society that does not care about the people behind those generic labels. If you care about the rights and the welfare of your neighbors, do not support a candidate who treats them with contempt, or open hostility.

Our politics work best when more citizens are engaged with them. But they will never work perfectly, and the United States may soon have its day of reckoning for its mistakes and its errors. For now, the best we can do is to try and govern ourselves with dignity and wisdom, to compromise when we must and defend what really matters.

Most of all, remember that world is always more than it seems to be. If you doubt your own judgment, take a good long time and listen.

Wednesday, August 10, 2016

Poetries #8

I think by now, a careful reader with an appetite for punishment will have figured out all my tricks and inclinations when it comes to poetry.  I like to think I'm fairly diverse with the forms and techniques I use, but I also know I'm not a genius at this.  Talented maybe, but clumsy, impatient, and definitely undisciplined.  Discipline is a requirement for great poetry, and you'll find little of it here.

It doesn't really matter though, because I had quite a lot of fun writing these poems.  Yes, even the mopey ones.  These poems are all from the month of July 2016, a month in which I had little to do and plenty of time to ignore it.  I think I had a few good ideas that came out in decent shape, so here they are for your reading pleasure.

As far as content warnings go, The Security System Fails makes reference to school shootings; Came to Grips and Coughing both have to deal with illness (nothing serious, I just had a bad summer cold); Honey Pot and We've Been Here Before have some kind of weird food/sex vibe going on.  Honestly I don't know why that keeps happening.

As usual, commentary at the end for the patient and forgiving.

Flashes of Light in a Terrible Drought

Embers sparking in the streets
of south Eugene at two in the morning,
close to where the bowling alley
went ablaze a year ago.

White and yellow, Chinese Lanterns
cut the deep blue night to ribbons,
down the street from the empty lawn
where Civic Stadium used to stand.

Candy coated reds and blues
pollute the darkness of the moon,
pursuing drivers on the run
across the bright Willamette River.

Advice for the Young Growing Old

Celebrate a life
of gentleness and kind words;
cultivate a quiet state of mind.

Find a peaceful home
within your heart for all the
wild, impulsive marches of the soul.

Love the entire world
as much, if you can manage,
as you despise its worst injustice.

Be as human as
your parents and your children,
breathing deep the air of growth and grace.


Hanging by his ankles from the wide
window, his feet betraying no concern -
a lazy smile, seven stories high
and over ninety million miles beneath
a nonchalant, recumbent summer sun.
A finely cultivated air of rapture
emanates from truly unrepentant
troublemakers in the prime of life.


Depending on you,
accidents will happen;
night bird flying,
capturing moods.
I found a reason
not to touch the Earth -
give it time.

Honey Pot

Honey, spread on flesh and seared to fine amber,
sprinkled fresh in batter, smeared with butter; honey
with agave, honey blessed with maple syrup.

Pure and unadulterated honey pot,
such impressive composition, say the judges,
spoonful after spoonful dripping cool with bliss.

Bursting spring, when nectar, honey are in season!
Honey pots are overflowing, spread on flesh and
baked in bread, a splash of lust, a blush of honey.

Came to Grips

I wore a bit of cloth between myself
and the cold night that whispered through the blinds.

He closed on my throat, pushed my shoulders down,
and drew my breath across the length of my chest.

The fine hairs on my arms ans legs protested,
they resisted being called to rise.

An urgent cough was satisfied, another
cough suppressed, another half released.

A hollow circle, whole and battered, swung
around, and dissipated what it stole.

The Ecstasy

Heaven is a faint cloud
of noble gasses, lit with ball lightning
an instant after closing time.


Her parents named her oldest brother John
in trust that God would fill his heart with grace;

they called her second oldest brother Rob
when they foresaw a future in his face.

Their youngest son was duly christened Fred
in yearning for the dawn of world peace -

and then they named their only daughter Hope,
that from her chains she would obtain release.

The Security System Fails

Hard iron blast shields
torn, shaken

          Black rivets
screeched, scattered.

          Charred fingers.

Dead blisters.

          Red bullets
struck twenty two students.


Cough so loud
the old guitar
beside me hums
in harmony -
cough so loud,
the sweetest sound
echoes through
her body like
a soft volcano,
trembling in
her hollow breast.

We've Been Here Before

Wet with citrus,
weighted down with sweet juice
in the steam of hot days.

Orange fruit
and lemons, ripe and palpable
through bright, dimpled skin.

A mist quickens,
percolating from the air
and sweetening the brain.

Baskets dip,
and liberated tangerines
burst loudly with color.

A hand is reaching
up, further through thick leaves,
claiming nature's touch.

Barely conscious
of the cool scent, the young picker
gladly obeys commands.

A whole day
to be lost, overcome with wet
desire, lost in the orchard.

Madame Owl

Silent feathers, silent talons clasping
electric branches in the urban dark,
and still she sings in lovely tones.

ripple forth from errant motorcycles,
and she calls them, hoot, hoot -

                              She calls
aloud, to wheels roaring, engines brilliant
with oil, hoot, hoot -

                    To sleepless city
lights with wild screams and candied colors,
hoot, hoot, she murmurs,

          She will be their mother,
sing the missing lullaby in gentle
measure, send them back to moon and stars.

My Heart

I forgave my heart for breaking,
Lord have mercy, I was gracious
in accepting tearful pleas
from a sad and stricken penitent.

I forgave my heart, but I
did not forget its base, craven
treachery, its sabotage
and painful, pitiful surrender.

I forgave my heart, and I
remembered why it broke, forever,
and I never let the sobbing fool
forget its shame and sorrow, either.

Five in the Morning

Sweat in my sore eyes,
I might never sleep again -
have to click "refresh".

She Looks Straight Ahead

The sky is clear and the day cool, but soon
you know it will be hot; you are prepared.
A fan positioned by the open window,
a pot of Arnold Palmer - your breast is bared
and the soothing breeze reflects across your shoulders.
Through your blinds, the common swimming pool
erupts with laughter, dazzling and delighted
with itself for hosting such a jewel.
She walks with such assurance, you could swear
she was Astrud Gilberto, her intent
to make love in her lithe, familiar guise
to someone equally magnificent.
The light across her shoulder blades is kind,
but oh, you watch her so sadly through the blinds.

Flashes is the sort of poem a Californian writes after watching Oregonians make merry with fireworks on the Fourth of July.  Aren't they afraid of wildfires!?  The police are of course pursuing drunk drivers, since the fireworks are totally legal.  Civic Stadium and Southtown Lanes in Eugene did both burn down a year ago, so this poem gets a little bit of historical dating in that regard.  I don't know if fireworks were involved.

Advice is really about me advising myself, though it is phrased as advice for others out of sheer, unbridled arrogance.  This is the best way to give yourself advice.  The poem arises from my continuing efforts to internalize attitudes that promote peace of mind.  Call it a therapy poem.  Maybe one day it will be found on a therapist's wall.

I'm not sure what brought on Indestructible, but I got the image and I had to write about it.  Just some troublemaker worrying the neighbors while dangling from a window, feeling the limits of freedom.  Hope he has sunscreen.
Playlist is kind of dumb.  Kind of really dumb, actually.  For starters, it's an acrostic, which is just... yeah.  An acrostic of the word "dancing".  And each of the lines is a song title taken from my iTunes library.  Ugh.  I did my best to choose titles for good effect, but let's be honest here.  This was a goof.  A goof from start to finish.  At best it's cute.

Mmmmmm, Honey Pot.  This is me in a sensual mood.  It's scary.  This poem is notable for its hexameter lines, which is longer than I usually write.  It's a little repetitive and draggy, but mmmmm.  Honey.

Came to Grips is kind of a strange one.  I had a really bad cough that was keeping me up at night, and I started thinking about ancient depictions of nightmares as demons or incubi that sat on people's chests and drained their life out.  Spooky.  The lines are pentameters, with a lot of long feet placed in for variety.

The Ecstasy comes out of my recurring fascination with the difficulty of properly rendering haiku in English, leading directly to misguided attempts.  Here I went with a 5/7/5 pattern of words rather than syllables, because everything is made up and the points don't matter.  Ball lightning is a very mysterious phenomenon, and noble gasses like neon glow with colors when electricity passes through them.  Pretty straightforward for a poem about transcendence.

Now I like Etymologies, but we should be clear that it is not much more than it appears to be.  I like the idea of parents giving names to children on the basis of deep research into the historical meaning of their names, rather than for silly reasons like tradition or novelty.  The three brothers only exist, of course, to set up Hope's couplet, which is a neat little bit of Feminism 101.  The whole thing came to me after considering why it is that so many girl's names are also abstract nouns like Hope or Faith or things like that, while the same is uncommon with boys' names.  Of course, once upon a time all names had transparent meanings in their original languages.

The Security System Fails was an experiment in spondees that went dark quickly.  I think the experiment was successful, as the ratio of stressed to unstressed syllables is two to three (more than that just would not flow).  It got kind of a scary mood, and turned into a vignette about the limits of visible security measures in the face of determined malice.  Twenty two was chosen for sound and visual purposes, and is not a reference to the casualties of any actual incident.

Coughing is another poem about this damn cough.  It's about trying to find beauty in a painful inconvenience, and was inspired by an actual guitar.

Oh damn, I got all sensual again and seriously abused the word "wet".  We've Been Here Before is about memories of picking fruit with a lover, poetically transmogrified into rampant debauchery.  Avert your eyes.  It also continues my recent fascination with the spondee.

Madame Owl is basically made up of pentameters, but I tried to give the lines a more interesting shape.  It's an attempt at describing the sounds I often hear through my window at night.  Not sure why I can't describe the lights on police and emergency vehicles without referencing candy, but I think it works.

Mopey shit in tetrameters, that's what My Heart is.  Kind of a cracked attempt at getting to the bottom of a heartache that never really heals.

Five in the Morning is just a regular old syllabic haiku about insomnia.

I'm glad it turned out to be last, because She Looks Straight Ahead is my favorite.  Lust, longing, and the Girl from Ipanema in sonnet form.  I'm actually kind of proud of the rhyme work here, especially intent/magnificent.  It looks almost wrenched, but it's really not.  Well done, poet.  The "you" in the poem is not me, but I think "you" and I are kindred spirits.