As it happens, December is about to dawn and Tara and I, at long last, are within a week of finally seeing our work visas. I just got back from Seattle, where I turned in the final application at the South Korean General Consulate yesterday. Our visa issuance numbers were a long time coming (pending a much-delayed inspection of our work site), but they finally came through last Wednesday. Assuming no further delays, we could have permission to work in Korea by Thursday.
Saturday, November 30, 2013
I think this is it (is it?)
As it happens, December is about to dawn and Tara and I, at long last, are within a week of finally seeing our work visas. I just got back from Seattle, where I turned in the final application at the South Korean General Consulate yesterday. Our visa issuance numbers were a long time coming (pending a much-delayed inspection of our work site), but they finally came through last Wednesday. Assuming no further delays, we could have permission to work in Korea by Thursday.
Sunday, November 3, 2013
Dreaming of a New Set of Strings
You can sing me songs about pearls and rings,
But sooner or later, you know I'm a-get smart,
And you'll have to buy yourself a new set of strings."
Tuesday, September 3, 2013
Poetry Jam #13
Indulge me once again, unlucky readers, for my thirteenth batch of fancy poetry. These poems were not meant for such an unfortunate designation; they just happened to have been written between December 2012 (you know, when the world ended) and February of this year. By this ill chance they were cursed to be a part of Poetry Jam #13. Apologies all around.
Usual commentary and nonsense, post script:
_
Susan's Thoughts
If America invaded Florida to
rebase the moon,
repair the seniors' homes
and hospital gates,
and save the alligators,
the world would be happy for us,
history would be kind.
_
Blue Sparks
That satisfying plug of entry;
now I know we're cooking with fire!
Put it in, plug it in, blue
and silently, before the hum
of industry, cool electricity
coursing through our wires
like the dawn of time and after.
_
Discovery
When winds and waters sharply thunder "stop,"
reveal a polished path of ancient rock
and stand completely still, then
who will be so bold
to take the walk?
Not I, say I,
I don't intend to live so long that all
Those secrets shall be willingly unlocked.
_
My Lover's Favorite Song
My lover's favorite song is done
and I've forgot the melody;
I wrote it in the margins but
I can't remember how I did,
and anyway the paper's gone.
If she will keep the memory,
perhaps not all is lost, perhaps
the song will still play on for her
without my voice to hold it up.
Perhaps the echoes of my love
will keep the music in her heart.
_
No More Secrets
Relax my love, don't stop, hold still,
we have nothing to be scared of
from the open door beyond;
let the beams of sunlight bare
our secrets to the world, darling,
let our freedom burn the air
around us.
Night to morning break
and dawn to dusk I'll hold you near,
so don't you mind if someone sees;
we have no need of shame or fear,
and neither will we bother with
as long as they can see us clearly
through the open door.
_
The Song Incomplete
The music fades at the bridge,
and where am I left?
Among stars and vapors,
alone again in the mists,
as silent as then
when the music started:
before the beginning,
the strings in tune,
the precipice
_
Medieval Gloria
His face, she thought, was not too bad, and how
his armor shone beneath the sun! She sighed
and thought of Europe in the Middle Ages:
home of glory, inequality,
its castles and its squalor and the plague,
and how an Irish girl might fare with luck.
Determined not to be forgotten once
she'd had the chance to wear that shining armor,
would she keep the charge in her defense?
Apart from time, between the light and dust
of the museum, she could still believe.
_
Idle Questions of the Sky, Questions Soon Forgotten
How shallow is our misery
when up above the clouds
the sun is either shining
or replaced by brilliant stars?
What shadow on the surface
can compare to all of this?
Why bother with the rain
when you can fly?
_
Trouble Sleeping
If you're having trouble sleeping,
watch the flame give up the ghost
and think; if this is only fire,
if my consciousness will burn
until it smothers and no longer,
won't these blankets put me out?
Then sleep, and know that waking
will be kindled by the sun;
the light will surely come again,
and even if it doesn't
you will sleep.
_
Paper Soprano
"Sketch of Spain and Catalonia,
shadow on the paper sea,"
the sweet soprano sings to no one,
but her genius reaches me;
Across the false Atlantic sea,
from years ago and years above,
and scribbled on this manuscript,
a living map to someone's love.
But how I come to hear the sorrow
of the charter, I remember
nothing much, except the summer
that emerged from her December;
Trumpets in the afternoon
and clarinets as evening falls,
with sweet soprano lyrics hanging
on the paper concert walls.
_
A Simple Goal
I have a simple goal for us:
to love in spite of sadness,
disappointment,
and the onward march of days and years
that tread across our hearts.
A simple goal,
for people very much
in love today
who wish to be in love forevet,
love and never stop.
_
Abandoned Homes
Somewhere in my town,
between the woods and hills and
other houses
Is an abandoned home.
I don't know if it's safe
to go there,
but I've been there once,
and between the other houses
this one looked alone.
There may be pests inside,
or chemicals,
or insulating foam;
There may be traps,
there may be treasures
in abandoned homes.
_
Broadcast Day
Both of us have gone asleep
with the radio on;
tonight the DJ is playing
the strangest things
that I have ever heard.
Bossa nova, indie pop
and a tremulous jazz,
with static falling around us
like powdered snow
unfrozen in our hair.
Mournful trumpets in the air,
an incredible pause
and then the analog murmer;
the broadcast day
has ended like a dream.
_____________
Thirteen poems, we'll never live it down!
In my mind, Susan's Thoughts is not actually a poem I wrote. Sometimes I dream about teaching, and in one such dream I was teaching some sort of elementary school art class. One of my imaginary students put these words on a poster board for a project. In my dream, I gave her a high five.
I swear to god, I did not mean to write Blue Sparks as a sex poem. Scrub your filthy mind! It's clearly about the miracle of electricity and nothing else.
No More Secrets is pretty sexful, though. I was home for Christmas, and I was lonely. Loneliness also accounts for My Lover's Favorite Song, but that one isn't all that sexful.
Discovery is all about that cute little ending. Everything else is justified by the ending. MOVE ALONG NOW.
The lack of final punctuation in The Song Incomplete is intentional. Look at the clever guy!
I wrote Medieval Gloria shortly after reading Malachy McCourt's History of Ireland, having been impressed with the author's apparent eagerness to tell the stories of the island's most interesting ladies. It seemed to me that people ought to be inspired by the best examples of history, whatever their gender. The girl in the poem looks beyond the ordinary, male-dominated presentation of history and sees an integral place for herself in the story.
Trouble Sleeping is one of my candle poems. Sometimes, I am obsessed with candles.
I *love* Paper Soprano. I don't even think it's perfect. I just love the idea behind it. Art to emulate, art to recreate, never quite recaptured.
I know there's nothing simple about love, but I don't think that's love's fault. A Simple Goal is another poem for Tara.
I wrote Abandoned Homes after I walked past one on an epic hike with my friend Bau. We were trying to find the richest homes in Eugene. We found them, but first we found a sketchy, empty dwelling that I'm sure the neighbors were thrilled about.
I recall writing Broadcast Day on the whiteboard while subbing for a math class at Willamette High School. I was bored during study hall and thought about how nice it would be to nap with the radio on. Childhood memories did the rest.
Monday, September 2, 2013
A Test and a Decision
If you've ever had the notion that the United States of America's place in the world is fundamentally untenable, you are doubtless concerned by what is happening with regard to Syria. Once again, we find ourselves on the brink of what we call "intervention," a term that can encompass all things from occupation to a few cruise missiles, artfully placed to make some kind of point. The future is open ended, but none of the ends are attractive. And in the era of the Imperial Presidency, we have become much too accustomed to being led into this sort of adventure.
Something a little different is happening this time. President Obama, who has thus far seemed to accept the premise that a president may make war as he sees fit, has invited Congress to make the decision of whether to punish Syria for the use of chemical weapons. That this seems new and different should be evidence enough that our system has plainly gotten away from us. Congress is not presently in session to make that decision, but it will be very soon. And when our honorable senators and representatives do finally meet, the ensuing events will matter hugely. This episode will make a fine case study in the role of constitutional government in foreign policy, and will say much about how our constitution and our nation will change in the future. But it will be even more significant for the people of Syria
Imperial Power
America teaches its children that we are powerful and that this is a good thing. But while it is obviously preferable to have some power rather than none, occupying the hegemonic status that the U.S. does is inevitably problematic. Hegemons hurt weaker nations almost without meaning to (to put it charitably), and they invariably rest upon institutional inequality on all scales, global and domestic. Our power was bought with a bitter price, that will grow more unpleasant with time.
America believes its power to be a good thing, because it enables the doing of good things. In principle, I believe in that. How could I not, educated as I was, brought up in the midst of star-spangled flags? But in acting as the Great Bastion of Freedom, the U.S. has changed itself and altered its constitutional system. The words on the parchment stay the same, but the system has grown to address the concerns of power. For example, the Congress may hold the exclusive right to declare war according to the text, but the Cold War taught us to accept that a war was sometimes only a "police action," and that a declaration of war was usually superfluous.
So what will Congress do about Syria? Honestly, the question nearly makes me cry. Obama has asked Congress to give him the authorization to make an initial strike, apparently against the judgment of his cabinet. But this Congress is objectively terrible, and the only sure thing is that its members will use this opportunity to make fools of themselves. It is very possible that they will give the president what he asks for, simply because the subject intimidates them.
But suppose for a moment that they do not say yes. The idea of intervention is unpopular, and the Republicans might well deny President Obama out of their usual spite. What happens next?
Obama's secretary of State, John Kerry, said today that the President has the right to strike whatever Congress says. He's plainly not the only one who thinks so. But what does Obama think? If Congress tells him no, would he change his approach? Having overruled his administration on seemingly constitutional grounds, will he stick to that principle come what may?
It is obvious by this point that the Imperial Presidency is alive and well in the Obama administration. It evidently takes more than hope to dismantle the rationale of power, and it is that rationale that informs Kerry's opinion, to say nothing of the NSA's adventures in domestic spying and the persecution of whistle-blowers like Chelsea Manning and Edward Snowden. Syria's President Assad has called Obama weak already for deferring to Congress. An empire must abhor the appearance of weakness.
But Obama can do a great deal of good for the United States by respecting the decision of Congress in this matter. He can show with firm evidence that the spirit of constitutional government has not been fully choked in the thin air of global hegemony. If Congress tells him no, he should not attack Syria. If Congress modifies the plan he sent them, he should respect those changes. And if Congress rubber stamps him, the precedent of his having asked could still be useful. In any event, the effort to walk America back from an imperial foreign policy will be tasking. It would be wonderful to set a positive example of cooperation between the branches of government, especially given all the inexcusable nonsense that has made these years so hard.
I have advocated for changes in our Constitution in the past, on the grounds that such changes are desirable and necessary over time in any nation. It is not the Constitution of 1789 that is really at the crux of this issue, but the more general principle of constitutional government. This principle, not the text, is what sustains the republic. Thus far, Obama's approach on this specific issue is consistent with this principle, but much depends on what comes next.
Syrian Troubles
All of this talk of principle, however important, ignores a crucial consideration. People are dying in Syria, and the situation is only growing more monstrous. Chemical weapons have been used and may well be used again. Assad is unacceptable, and though we've tolerated him in the past, that is no justification for tolerating him now. The rebels, should they succeed, may prove problematic down the line, but what could be worse than a hundred thousand dead?
The United States, for all its problems, is extraordinarily powerful. Sitting on all this power, it is hard to look at all this suffering and bloody stalemate and accept that nothing can be done, or that nothing should be done. Whatever consequences we create, there seems to be a moral imperative to do something to alleviate the suffering of the Syrian people. If power really can enable good deeds, then why should it be of no use here?
But there may be no good to be gained, even by firing a missile straight down Assad's throat. We can't afford another war like we had in Iraq. We can't afford to take responsibility for Syria's reconstruction. And we can ill use another cause celebre for al qaeda should order break down after our intervention.
What the people of Syria need is a strong cease-fire agreement, with international peace keepers to hold back any breaks. It is not obvious how any purely American intervention will accomplish that. It's also not clear how we can move the United Nations to impose a peace, especially given the behavior of Russia. Any responsible observer must agree that our choices our dire, but inaction is no less so.
I don't know what we can do in Syria, or what we should do. I don't think anyone really does. But for us, this is a test of our historical character, one of many points that will influence where we go from here. We cannot lose sight of the big picture, and we must be prepared to deal with whatever consequences arise.
So watch what Congress and President Obama do in the next few days. You will learn a lot about where this world is going by how they conduct themselves.
Wednesday, August 7, 2013
Things I will miss about living in Eugene, Oregon
Over the years, Eugene has been more than just a place to live and lay about: it's offered a series of distinct blessings and pleasures to me. I got the best part of my education here, and met the love of my life. Different things have occupied my focus at different times, but they all made Eugene a place where I felt comfortable.
So with naught but ten short days to go, here's a list (in no particular order) of the things I will miss about living in the second largest city of our twenty seventh largest state:
- Live music and open mic night at Cozmic Pizza.
- Easy access to the products of the Oakshire, Ninkasi, and Widmer Brothers breweries.
- Hiking at the Mt. Pisgah Arboretum.
- Eating salmon and chips at Newman's Fish Market so frequently that the whole kitchen staff knows me on sight.
- Playing bass guitar in the company of my friends.
- Taking a nap on the couches in the EMU on campus even though I graduated in 2009.
- Substitute teaching at Elmira High School (among others).
- Drinking a little too much on Fridays at the Starlight Lounge with my grad school cohort.
- Walking around in light rain without a hood on and acting like it's all good.
- Strolling by rivers and creeks, looking for nutria and wishing they were beavers.
- Ordering movie-themed Eggs Benedict at the Studio One Cafe.
- Watching anime and playing video games all night with my friends.
- Camping in the prettiest woods in the world.
- Hanging around the Smith Family Book Store without necessarily buying anything.
- Sitting on the porch with a gouda cheeseburger at Jiffy Market.
- Watching hippies do strange things in public.
- Stalking the deer who stroll nonchalantly down my street.
- Listening to 91.1 KWAX, 89.7 KLCC, and 91.9 KRVM while driving around in my car.
- Taking long walks with my best friend while discussing issues of great import, or just nerdy nonsense.
- Ordering huge pizzas from Sy's and eating them with my friends until we feel like dying.
- Filling out my music collection with visits to House of Records.
- Feeling like a six-year-old on the rare occasions when it snows.
Sunday, July 28, 2013
The Maitreya Heart Shrine Relic Tour
I visited Saraha today for the first time, because I became aware that something was happening this weekend, and my curiosity was piqued. Presently, the temple is hosting a collection of Buddhist relics on tour. I decided to have a look at the Maitreya Heart Shrine Relic Tour, for the purpose of educating myself, and experiencing closer a part of the community I had essentially neglected.
When I approached the building, I already found it in a much different state than usual, with cars crowding the curbs and a huge line of people (and shoes) pouring from the entrance. In fact, I spent nearly an hour standing in that line, barefoot, trying not to feel conspicuous amongst a crowd of very serious people. Most of the people were older than me, but there were a few parents with small children, as well as a few dogs who were allowed in to be blessed. An older woman behind me was speaking German, and though I don't know much German it sounded like she was describing a Buddhist legend. I don't know how many of the people were Buddhists and how many were interested outsiders like myself, but everyone was very respectful and patient. I tried to be equally patient as the line slowly advanced into the main chamber.
The staff and volunteers were kind and welcoming, and they took the time to explain what was going on to me. The Maitreya relics inside once belonged, they told me, to various Buddhist leaders and teachers throughout history, including Shakyamuni Buddha, Gautama himself. If this is true, and I have no particular reason to doubt that it is, then the oldest stones and fragments of bones on the display table are about two thousand and five hundred years old. The relics are displayed in small, beautiful glass containers, and certainly looked the part for their antiquity. I entered with the expectation, of course, of dispassionately viewing some artifacts in a museum-like context. This experience was much more religious than that. People were actively meditating and worshiping to the side of the viewers, and the artifacts were plainly presented for veneration, not just idle display.
Though I am not a Buddhist, I was invited and encouraged by the volunteers to participate in a few basic rituals. While standing in line, I copied a line from a sutra (though I did not quite understand what it meant). I poured water three times over the head of the Buddha's statue, and lightly rang a couple of bells. I spun a small prayer wheel (incorrectly, as the little girl in front of me pointed out). Finally, I was invited to receive a blessing. As the woman who blessed me asked me to pray silently, I contemplated my upcoming journey to Korea with my girlfriend, Tara. Though I doubt its practical efficacy, the good will I felt from the temple during the blessing was heart warming in the best sense.
As I made my exit, I passed a container of holy water, blessed with the "energy" of the relics on display. A sign instructed me to take some of it home with me, to add to some water at home and use as part of my daily routine. Being from a Catholic background it had never really occurred to me to use holy water in this way, but I duly filled a small paper cup, walked back to my house, and made myself some tea. I don't know what effect I was supposed to perceive from the energies of the relics, but I have to admit it tasted good.
Today was the final day of the Maitreya exhibition at Saraha, and I'm glad that I took the time to do something a little out of the way. No matter how ordinary a neighborhood may seem, at times it may be touched by something larger. Rarity appears in surprising places.
Wednesday, July 24, 2013
Poetry Jam #12
As always, a few notes and commentary at the bottom for those who like that sort of thing. Lord knows I must.
My Face
I was surprised to see my face;
I thought that I looked different,
but I guess I just forgot myself
from looking in a mirror,
and now I can't believe my face
is who I'll be tomorrow.
Rights
The right of self-destruction may be ours,
it may be plain for all to see
but isn't it odd that we claim it?
The right to misadventure for the young
wherever youth runs stray and free,
but isn't it odd that we claim it?
The right to burn our organs to the ground,
to douse our minds and light the smoking oil,
as evident as things could be,
but isn't it odd that we claim it?
Hourglass
How fine to see an hourglass alive
and dwindling, not diminishing, but turning
sand from top to bottom, bulb to bulb;
descending, frozen in a fluid moment,
stopped in space and passing time by time.
How fine to be reminded of the glass
that has been turned, and hasn't been, but will
again if someone finds it standing steady.
Every space an endless era, filled,
and emptied, spent, and wasted, filled again.
Mary Jane Around the World
Mary Jane is not at home;
tonight she sleeps in the arms of the sun,
blinded by the light of stars,
eyelids shut across the eyes
of Mary Jane and her beautiful one.
Mary Jane is far away;
today she lightly embraces the moon,
glides along the beams of grey,
silver on the glittering dress
of Mary Jane in the embassy room.
Mary Jane is gone for good;
a lonely thought in a wandering mind,
corresponding to a girl
gone to England, France, Japan:
the Mary Jane who has left him behind.
Music Machine
Noise and silence break the filter,
and that's the way the first song ends
like lightning crackling through a tube:
broken sounds like blues.
Thirteen songs to go before
the fade out
crackles out again.
Noise and silence break the filter,
split the speaker end to end.
Nightmares of Mine
I read your book before I went to sleep,
and yes, I liked it. But it gave me nightmares:
trees came tumbling from the sky, and saws
flew loops between them; women's faces sprung
from mirrors on the bathroom walls at night.
But I still liked it; yes, I mean the book.
I found it gripping, and I couldn't stop
myself from reading, even when my dreams
began. I'd turn the page, and owls would peer
from windows hid between the words and call:
We know that you'll be sleeping soon; good night,
and don't mind us, we'll just be sleeping too.
The Notable Gift
You've got the gift, and every one will love you for it,
everyone will love your gift,
They'll come from miles in all directions
Just to watch the way you kick.
So now you've earned a cheer, a kiss,
a headline in the student paper
for your single notable gift.
Una Vez en Español, Por Favor
El alma de mi fuego, levántate,
levántate,
vuela tú sobre el sonido
de mi corazón ahora.
Esta noche, tú me levantas
y me duermo;
sueña tú juntos conmigo.
A Larger Fire
Our evening hasn't lacked for candlelight,
we burn beside a fire
many stages larger than the flames
of little wicks and wax.
Those candles melt away
but ours will burn until it ashes
several forests worth of wood
and brings this little restaurant down.
Train Tracks
Angry trains at midnight
break the silence of the station
with their unrelenting whistles
and their endless clicker-clacks;
This town could stretch for miles,
but we'd always be in earshot,
and we'll never get to sleep
until the trains are off the tracks.
Tara's Eyes
If I were writing of your eyes
I couldn't keep my hands from shaking;
discipline and self-control
are stupid notions when I think
that I could see you and be seen
by you, reflected in your lovely,
loving, incandescent eyes.
"Rumo?"
Painted on the sidewalks
and the uninspected walls,
sprayed across the concrete,
over bricks and private roads:
Omar the Relentless
keeps his head below the tall grass
so the public doesn't see him.
Tower Defense Queue
Four or five to go, I think,
perhaps as few as three; I hope
that I won't have to settle...
Only two? While we could play
with two, this only seems to
raise the question, if I
really need to play with you.
Wax Shell
There is life inside this shell,
but its lifespan is determined:
there is no escaping that.
Every second that it lives
and consumes its precious matter
is an ash along the path;
When it slowly flickers out
there might still be a reminder
of the life it hasn't lived,
But the shell will be alone.
It will only be remembered
for the light it didn't give.
Shatter-Colored Window
Now you are broken glass on the floor,
strained like sand and water and a chore
to gather up, a hazard for our feet,
A color-crusted window to the door
beyond perception,
the subjective,
the release.
Something Important to Say
Natalia warned the speaker to
beware of falling icicles
when speaking in the frozen room:
"A single block could crush you dead,
the smallest point could split your head,
and then your speech would never carry
promise like it did before."
Natalia smiled, then she sat down
without betraying her dread.
The speaker bravely said her peace
because it had to be said.
_________________________________________
Commentary!
I don't think Rights is very elegant as far as meter goes, but I like everything else about it. The middle stanza is weak, but I think the third one more than makes up for it in terms of content. I'm not a teetotaler, but I do think that our bodies are worth taking care of, and I have never been comfortable with the notion that being young is not only a license, but an invitation to hurt yourself.
Hourglass has some nifty metaphysics and philosophy going on, but mostly it's about word sounds. "Turning sand from top to bottom, bulb to bulb?" Sometimes I impress myself. I am easily impressed by plosive consonants.
Mary Jane Around the World, on the other hand, is more about images and feelings. Loss and liberty, you might call it, if you were allowed to title it. I have half a mind to re-title it right now. But I won't.
My notes indicate I was drunk when I wrote Music Machine. I don't want to give the impression that I always drink when I write poems, but I do often feel the urge to scribble when I've had something to drink. Sometimes, it's halfway decent.
Nightmares of Mine is almost a story, written as it is in blank verse. The title is literal: those are images that used to recur in my dreams when I was a small child. Some of them even feel like actual memories, even though the laws of physics preclude them from being possible. I wanted to give them a little touch of immortality through verse.
The Notable Gift touches on anxiety, about being hailed as brilliantly talented for being able to do one thing sort of well. I have this problem sometimes.
I am almost a little embarrassed to be presenting Una Vez en Español, Por Favor. Yes, I wrote it in Spanish. I didn't write it in English and then translate it, I went word by word in Spanish. If I've fucked it up in the grammar, please let me know and I'll fix it. I just really wanted to try something different. I don't know much about typical meters in Spanish poetry, so I treated the stress more or less as I would in English and did my own thing.
A Larger Fire and Wax Shell were both originally untitled and are both, more or less, about candles. I was surprised at how sexy the first one turned out to be! But the second is not sexy. Not sexy at all. Anyway, I like candles. I like the way they smell and I just like the way they burn.
Tara's Eyes is for Tara, but you guys can read it too. She really does have beautiful eyes. It's the biggest cliche ever for a poet to compliment a woman's eyes, but at least I successfully avoided the word "limpid."
"Rumo?" is based on some actual graffiti I saw in the park one day while I was walking home. The same person seems to have made multiple tags in different places. It looked like they were spelling "Rumo," but it was so stylized I couldn't be one hundred percent sure. So I reversed it (sort of) to Omar in the body of the poem, and I liked the mental images it gave me.
Tower Defense Queue is about StarCraft 2. In case you were wondering. I'm not often moved to wax poetical about online games, but it was a silly day.
I wrote Shatter-Colored Window to give myself something to do between classes when I was substituting for a ceramics teacher at Springfield High. You take some of the things you see around you, and sometimes you can make something really pretty out of it.
Something Important to Say appears, at first glance, to be heavily laden with allegory. It totally is. Trust your instincts.